Tonight I walked toward that Dr. Seuss garden again, this time hollow without my friend. But I went there again in remembrance of dear Golda.
It is a dry hippie garden. That is, the garden is dry, not the hippies--drought-resistant. You know the sort, with no grass but colorful flowers in abandon, no particular pattern. The sort with no pretense but only welcome, that gladly encrusts a cast-off skateboard into a little shrine by cacti. A shrine for what, who knows, but one feels it is for good. Tonight I noticed new sea-green ceramic shards scattered artfully, but not too carefully, into the shrubs.
When Golda was still alive, on just one visit we happened to meet the owner, a nice British man with grown children. As we spoke, Golda lay patient in the shade of the cacti and the great trees. She felt a calm there. He said the skateboard had been his son's and became part of the garden when he'd stopped using it. When the owner regaled in his delightful British accent, he said that his wife had put up the Little Library. I thanked him for it, as well as for his colorful garden.
They'd started a Little Library on the curb, not the cabinetry-approved, sealed sort, but the turn-a-moldering wooden crate-on-its-side-atop-a-wicker-something sort. Golda and I had loved to browse the books, and here I'd found a Trail Runner's Guide to the SF Bay Area last year. I'd only started on it since I wanted to put off hours-long runs while my dear old dog still wanted her slow walks, where we both spent hours sniffing the air and shrubs.
When I walked by tonight, I admired the garden again and remembered how it was one of our destinations, the sort of place that feels tender, warm, kind, cluster-bursts springing vividly with imagination.
I turned my head and browsed the slanted handful of titles. I recognized the deep green spine of Beryl Markham's West with the Night. Hadn't I read that when it had come out? Not sure, I flipped through the chapters. One caught my eye, and a paragraph on seeds called to me:
"Look at a seed in the palm of a farmer's hand. It can be blown away with a puff of breath and that is the end of it. But it holds three lives -- its own, that of the man who may feed on its increase, and that of the man who lives by its culture. If the seed die, these men will not, but they may not live as they always had. They may be affected because the seed is dead; they may change, they may put their faith in other things."--Beryl Markham
May we hold all three of these seeds, even those of the imagination.
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